The defining difference of mirrorless cameras, namely their lack of a mirror, is also the source of their greatest strength: a direct connection to the imaging sensor, which acts as the collection point for all the incoming data that lets a camera function. Even third-party companies that make lenses for DSLR cameras seem to have started quietly discontinuing those lenses in the latter half of 2022. Canon says that it will keep selling its beginner-level DSLRs, and you can still find Nikon’s D3500, our top-pick beginner DSLR since its introduction, for sale-we’re just not sure for how much longer. This move came after Sony, the second-largest camera maker, quietly bid farewell to its DSLR lenses, and after Canon, the world’s top camera producer, announced that it wouldn’t be developing high-end DSLRs anymore and discontinued a sizable chunk of its DSLR lenses without much fanfare. The summer of 2022 saw Nikon, the world’s third-largest camera manufacturer, make a public shift away from DSLRs and toward mirrorless cameras, which use an electronic screen fed by the camera’s sensor instead of a DSLR’s mirror gimmick to give you a preview of your photo. If you want proof that the technology platform of the DSLR-a digital camera that uses mirrors to bounce light around so that you end up seeing through the lens when you look into the optical viewfinder to frame your picture-has reached its endpoint, consider what camera makers are doing. And don’t throw away your DSLR lenses, either as we’ll explain, you can use them with mirrorless cameras, too. Of course, if your DSLR still works, just keep using it until you need a new camera-the world has enough electronic waste. That’s because digital single-lens reflex cameras are going away, and at the same time, the newest and most innovative features are appearing in mirrorless models. If you’re shopping for a new camera today, you should buy a mirrorless camera instead.
This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.It’s official: At this point in time, buying a new DSLR doesn’t make sense. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules
Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range.
Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally.
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